CULTURE

We Asked Jim Carrey About His Bizarre, Existential Fashion Week Interview

His answer was… even more interesting.

by Allyson Shiffman

JIM_CARREY.jpg
Caitlin Cronenberg

The internet is still processing Jim Carrey’s bizarrely existential fashion week interview, but it seems he isn’t done philosophizing quite yet. The actor, who’s now at the Toronto International Film Festival promoting the Netflix documentary Jim & Andy: The Great Beyond—The Story of Jim Carrey & Andy Kaufman Featuring a Very Special, Contractually Obligated Mention of Tony Clifton (yep that’s the title), stopped by the W photo studio to wax philosophical.

Whether he knew it or not at the time, a pivotal moment in Carrey’s “journey,” as he called it, was taking on the role of Kaufman in the 1999 film Man on the Moon. “It was about immersing myself in a character or a couple of characters so deeply that I realized that myself, Jim Carrey, was a character as well and something I could push aside at will,” he explained. “So once you know that, you go, ‘Who am I?’”

Carrey’s answer:

“We’re a bunch of ideas cobbled together to look like a form. There’s a body and there’s a mind, but the body is part of the field of consciousness, just dancing for itself and it’s no different than a plant or a chair or your phone—it’s all one thing. Because we are sentient, there’s a consciousness, and we have to deal with this thing we create, like a fortress of ideas around it. So we say, ‘This is my name and this is my heritage and this is my nationality and here’s my hockey team and these are all of the things that I am.’ That’s the mistake.”

So how do we avoid that mistake?

According to Carrey, there’s only one way:

“The only way to it is to step into the river of tears and the sorrows of your life. The things that everyone is avoiding with everything from drugs to drink to sex and gadgets and whatever else you can distract yourself with, all of it is designed for you to never stop going and moving and, for god sakes, not feel the abyss. Don’t allow yourself to feel the abandonment and pain that you’ve suffered. And I’ve done it; I’m through it. I’m sure there will be things that happen again, but I realized that by letting myself fall into it completely, that it’s not to be feared. Death is not to be feared.”

While some are writing off Carrey’s newfound Zen, it’s worth noting that the actor, who’s been open about his struggles with depression, seems to be doing genuinely great. For one, he looked great—gone is the scraggly beard, and he appeared sharp in a Tom Ford leather jacket. “I have no depression in my life whatsoever,” he declared. “I don’t have meds, I don’t have supplements, I don’t have anything. I’ve got a couple of fish oils a day and the rest of it is just good diet and a little bit of exercise and understanding that I don’t exist.”

I commented that the Tom Ford jacket seemed like an odd choice for someone who just described a fashion week event as the “most meaningless thing that [he] could come to.” In response, he likened his appearance to dressing up as a character in a video game: “You don’t have to believe this character exists—it’s a f—ing avatar on the gaming grid! Today I had extra points so I got a cool jacket to dress my avatar in,” he added. “I have cool weapons, too! Cool weapons on the game grid.”

It seemed as though Carrey could have gone on forever expounding on the game of existence, but just then we were interrupted by a “fan” hoping to get an autograph. The fan turned out to be Gary Oldman, who apparently was not aware that Carrey does not exist. And as the two old friends animatedly caught up, I couldn’t help but question whether I was there or not, either.

Related: A Beautiful, Bewitching Conversation with Jim Carrey, Who Has Returned Reborn

Portraits of George Clooney, Elle Fanning, Claire Foy, and More Stars of the 2017 Toronto Film Festival

Andrew Garfeld, Breathe

All photos by Caitlin Cronenberg at ET Canada Festival Central. Produced by Arthouse (@arthouseagency). Set design by @hawkeyesdesign.

Claire Foy, Breathe

All photos by Caitlin Cronenberg.

Annette Bening, Film Stars Don’t Die in Liverpool

All photos by Caitlin Cronenberg.

Glenn Close, The Wife

All photos by Caitlin Cronenberg.

Annie Starke, The Wife

All photos by Caitlin Cronenberg.

Dominic Cooper, The Escape

All photos by Caitlin Cronenberg.

Michiel Huisman, Indian Horse

All photos by Caitlin Cronenberg.

Adèle Exarchopoulos, Racer and the Jailbird

All photos by Caitlin Cronenberg.

George Mackay, Marrowbone

All photos by Caitlin Cronenberg.

Bella Heathcote, Professor Marston & the Wonder Women

All photos by Caitlin Cronenberg.

Javier Bardem, mother!

All photos by Caitlin Cronenberg.

Christoph Waltz, Downsizing

All photos by Caitlin Cronenberg.

Edie Falco, Outside In

All photos by Caitlin Cronenberg.

Wim Wenders, director, Submergence

All photos by Caitlin Cronenberg.

Andy Serkis, director, Breathe

All photos by Caitlin Cronenberg.

Justine Bateman, director, Five Minutes

All photos by Caitlin Cronenberg.

Michael Haneke, director, Happy End

All photos by Caitlin Cronenberg.

Ellen Wong, TIFF Rising Stars

All photos by Caitlin Cronenberg.

Melissa Leo, Battle of the Sexes

All photos by Caitlin Cronenberg.

Brooklyn Prince, The Florida Project

All photos by Caitlin Cronenberg.

Miranda Richardson, Stronger

All photos by Caitlin Cronenberg.

Daniela Vega, A Fantastic Woman

All photos by Caitlin Cronenberg.

Hong Chau, Downsizing

All photos by Caitlin Cronenberg.

Julianne Nicholson, Who We Are Now

All photos by Caitlin Cronenberg.

Diane Kruger, In the Fade.

All photos by Caitlin Cronenberg.

Kate Mara, Chappaquiddick

All photos by Caitlin Cronenberg

Sarah Gadon, Alias Grace.

All photos by Caitlin Cronenberg.

Margaret Qualley, Novitiate

All photos by Caitlin Cronenberg.

Matthias Schoenearts, Racer and the Jailbird.

All photos by Caitlin Cronenberg.

Sam Rockwell, Three Billboards Outside Ebbing, Missouri

All photos by Caitlin Cronenberg.
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