The Russian Style Evolution

Julia Kalmanovich

Kalmanovich, 30, literally grew up with Russian fashion, surrounded by the fanciful costumes her mother created for a small Moscow musical theater. She went on to study at the Zaitsev Fashion Lab, founded by Slava Zaitsev, one of the only couturiers during the Soviet era. Kalmanovich’s 2006 graduation show of ultrafeminine frocks became the basis for her namesake ready-to-wear line. “For some designers, it’s something of a hobby to make beautiful things and play dress-up,” says the designer, whose clothes are sold at boutiques in Europe, the United States, and the Middle East. “For me, it was very important from the start to build a business.”

Kalmanovich sweater and skirt; Balmain earrings.

Ekaterina Mukhina

Though only 33, Mukhina considers herself something of an elder statesperson of the Russian fashion scene, having served as fashion director of Vogue Russia and, now, as a contributing editor at Vogue Ukraine. Her advice for those coming up through the ranks: “The most important thing is that the women of the next generation, like my daughter, try to find themselves,” she says. “Everybody wants to repeat the success of Dasha Zhukova. Girls go to St. Barths for Christmas, they open an art gallery, and they think it will make them into Dasha. You need to just follow your talents and instincts and work hard.”

Chanel dress; A La Russe Anastasia Romantsova headband; Ambergris ring; Manolo Blahnik pumps; her own bracelet.

Maria Bogdanovich

When Bogdanovich, a Bolshoi ballerina since 2002, was sidelined by an injury a year ago, she turned her focus to fashion, creating LookMania.ru, an online outlet selling clothes and accessories by designers like Missoni and Alexander McQueen at steep markdowns. As she continues to recover, the site continues to grow—and the Bolshoi continues to struggle because of recent scandals. Not surprisingly, the 29-year-old is on the fence about her future. “When I’m ready to return to dancing, I will seriously consider it,” she says. “But it will not be easy for me to combine two such different directions.” Her approach to the conundrum echoes the credo of the new Russia. Says Bogdanovich, “Everything is possible!”

Lanvin dress; Benoît Missolin headband; Casadei shoes; her own watch and ring.

Olya Thompson

A textile designer and former dancer, Thompson was born in Moscow and lived in California, England, and France before settling down in Brooklyn Heights in 2006 with her American photographer husband, Charles, and their growing brood. There, she and her friend Nathalie Farman-Farma founded Tissus Tartares, a line of fabrics that takes inspiration from Persian and Central Asian motifs, Ballets Russes costumes, and Tartar robes. But by 2011, the pull of home grew too strong to resist, so she moved with Charles and their five children back to Moscow. “I always felt like I was leading a double life,” says the 32-year-old of her expat years. “Wherever I was, part of me was still in Russia.”

Marc Jacobs cardigan; No. 21 skirt; Masterpeace by Evgenia Linovich headband; Dolce & Gabbana earrings; A La Russe Anastasia Romantsova necklace; her own cuffs and rings.

Ilona Stolie

Stolie, 32, moved to Moscow from her hometown of Riga, Latvia, in 2000 and quickly became a top photographer, regularly shooting for the Russian editions of GQ and Vogue. But six months ago she abandoned editorial work to focus on her first book, a collection of portraits of men. She’s shot much of it while traveling with her husband to Mexico, Cuba, Uruguay, and Japan, but Moscow remains a major source of inspiration. “Some of our attempts to become civilized and modern in such a short period of time are awkward and ridiculous,” Stolie says. “But that kind of energy and freshness is addictive.”

Valentino gown; Mordekai by Ken Borochov crown.

Natalia Alaverdian

Alaverdian has a global attitude that allows her to run easily with the fashion herd. Of Belgian and Armenian descent, she was born in Moscow but grew up in Waterloo, Belgium, and studied fashion in Milan. After years as an editor at Marie Claire and Harper’s Bazaar in Moscow, the 32-year-old is now concentrating on her year-old London-based ready-to-wear brand, A.W.A.K.E. Despite her decade working for Russian fashion magazines, she considers herself more a citizen of the world than a dyed-in-the-wool Muscovite. “People classify me as Russian, and it is partially true—I do speak the language; I was born there,” Alaverdian says. “But probably 70 percent of it is not true.”

A.W.A.K.E. jacket.

Oksana On

Though On’s start in magazines was not auspicious—she was fired from a fashion-assistant position at Grazia in Moscow when she was 19 for acting like, well, a teenager—she rebounded with aplomb. Two days later, On was hired at Cosmopolitan Russia and by the age of 25 had worked her way up to fashion director at Glamour Russia. The 27-year-old recently left that gig to pursue freelance styling and to design a costume-jewelry capsule collection, Oksana On X Masterpeace. She hopes her diamond- and ruby-loving countrywomen will adopt her high-low approach. “I can wear something very, very cheap with something very, very expensive,” On says. “Depending on only labels, big names, and trends is a failed way to build your style.”

Miu Miu dress and scarf.

Natasha Goldenberg

Goldenberg, 28, bought her first fashion magazine at the tender age of 10—the premiere issue of Cosmopolitan Russia, with Cindy Crawford on the cover. “I had to take my mom to a kiosk to get it,” recalls the journalist, stylist, and designer, who has become a darling of street-style photographers with her wildly colorful looks and signature Prada turbans. “Since then, I’ve been buying all the magazines every month and keeping almost all of them.” The obsession has served her well: She boasts a CV that includes writing for Grazia, serving as fashion editor of Hello! Russia, freelance styling, and founding a ready-to-wear line, Tzipporah, which sold out two weeks after its debut at Browns London in 2011.

Tom Ford coat; her own rings.

Polina Kitsenko

Until recently, Kitsenko says, it was easy to spot a Russian woman on the streets of Paris. “She was blonde with sharp stilettos, and her clothes were all tight and supershort,” explains the 36-year-old creative director of Podium, Russia’s most forward-thinking boutique chain. “Now Russian women are looking at what’s happening worldwide to determine how they shop and dress.” Credit goes to Kitsenko and her husband, Eduard, who founded Podium in 1994 and were among the first to bring brands like Balenciaga to Moscow. Today, Podium’s relationship with the European fashion establishment is a two-way street: In 2009, the chain opened a jewelry outpost on Rue Saint-Honoré in Paris.

Givenchy by Riccardo Tisci blouse, skirt, and belt; her own rings.