INTERIORS

Photos: Alessandra Facchinetti: Lady of the House

At her new Milan abode—and in her new role at Tod’s—the designer finally feels at home.

by Alice Rawsthorn

Alessandra Facchinetti
Photographer: François Halard

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Photographer: François Halard

Facchinetti, in her living room, wearing clothing from her fall collection for Tod’s; the couch is from the 1950s, and the pair of Dimore Studio coffee tables were made exclusively for her. Styled by Viviana Volpicella.

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Photographer: François Halard

The plant-filled terrace with restored 19th-century furniture.

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Photographer: François Halard

Tod’s D-Cube bag.

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Photographer: François Halard

A collection of black and white photographs line a hallway.

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Photographer: François Halard

Freshly cut flowers on the terrace.

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The master bedroom, with framed 19th-century embroidered Chinese textiles above the bed.

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Photographer: François Halard

Janet, by Markus Schinwald, 2013–2014.

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Photographer: François Halard

Tod’s military bag.

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Photographer: François Halard

An antique cabinet.

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Photographer: François Halard

An assortment of Tod’s Gommino driving shoes.

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Photographer: François Halard

An antique display case and an American horn chair with a leather shopping bag, ankle boots, and a wool hat, all by Tod’s.

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Photographer: François Halard

Markus Schinwald’s Lars, 2011, rests on a French iron and wood table, with a Stilnovo light fixture above.

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Photographer: François Halard

An 18th- century French dining table with 1950s chairs and a Dimore Studio light.

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Facchinetti worked with design doyenne Nina Yasher, owner of Nilufar gallery, for her fall 2014 installation that featured a mix of 1950s furniture, Stilnovo chandeliers, an early-1900s portrait by Giovanni Boldini, and one of Lucio Fontana’s “slashed” bronze wall sculptures.

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The set for spring 2014 included a console table, couch, chandelier, and rug created by the Milan interiors firm Dimore Studio. Accents included a pair of Lady chairs, by Marco Zanuso for Arflex, and pale mauve roses.